100
x 100 x 100 cm /wood, glass, paper inscriptions/ 1999
Heimweh
was inspired by Jakcob Böhme, who claimed that an absolute
divine unity constitutes the foundation of our world. In 1612 Böhme,
sitting at the table, saw „reflection of divine ray”
at the bottom of a copper jug, which in Eastern tradition is known
as illumination. The table and stool of Tomasz Bajer with inscriptions
imply that Opus Magnum can manifest itself also in our everyday
life, in our microcosm.
HEIMWEH
detail
/wood, glass, paper inscriptions/ 1999
MOBILE
EPITAPH OF ANGELUS SILESIUS
80
x 100 cm /stone, wood, steel, projection/ Biennale Balticum, Rauma,
Finland. 1999
Das
wanderte Epitaph von Angelus Silesius (Wandering epitaph of Angelus
Silesius), was dedicated to Silesius, who was born and died in Wroclaw.
This Angel Wanderer, the creator and renovator of German poetry,
the mystic did not have his own epitaph many years after WWII (it
was taken away in the 50s).
